Act 5 Scene 1 Roderigo: Very important quote to remember. Because the handkerchief serves as proof of married chastity, it cannot be copied by Emilia and Bianca. Examination Questions on Othello Question: What is the relationship between Iago and Emilia? To ensure the best experience, please update your browser. Thinks Cassio had an affair with Emilia too! In Act IV Scene 2, Iago is annoyed when Emilia refers to Iago’s false suspicion that Othello cuckolded him. No, I will speak as liberal as the north; Let heaven, and men, and devils, let them all… cry shame against me, yet I’ll speak’ (5:2:217-220). The fact that he offers no explanation seems to make his actions all the more worse and furthers the link between him and the devil. Act 5 Scene 2 Othello: Othello proudly declares that he has killed his wife moments after denying having any knowledge of her death. Othello recognises the justice of Emilia’s description when he reiterates her words, “‘O fool, fool, fool!'”. Emilia is Iago's wife, and Desdemona's maid, a woman of practical intelligence and emotional resilience. Emilia’s love for her mistress and her determination to honor the truth illicit much courage and independence from the character which, in light of the tragic sequence of events, can be seen as heroic. Emilia is perceptive and cynical, maybe as a result of her relationship with Iago. Act 5 Scene 2 Emilia: Emilia becomes the voice of the audience in this scene; we must have an outlet for our feelings of outrage. That he sees Desdemona’s death as a monumental loss can be confirmed by the fact that he thinks there should now be “‘a huge eclipse / Of sun and moon, and that th’affrighted globe / Should Yawn at alteration'” (lines 97-9). Twice more Emilia expresses the strongest possible doubt that it was Iago who said that Desdemona was false, and Othello becomes impatient with her. The audience continue to view the extent that Othello is completely blind to Iago’s villainy which is where the absurd and comic nature lies. . She is the first to suggest that somebody is telling Othello untruths about Desdemona; “The Moor’s abused by some most villainous knave./Some base, notorious knave” (Act 4 Scene 2, Line 143-5). Although throughout the play Iago is constantly portrayed as a somewhat director of a play within a play, ultimately no one is really invincible in the tragic genre. Act 5 Scene 2 Desdemona: although her clear struggle against Othello in her murder can be viewed as displaying autonomy and courage, this courage is unfortunately undermined by her passive acceptance of her death and her unwillingness to see Othello’s jealousy. “I durst, my lord, to … Just as Iago warns Othello to beware of jealousy, Emilia tells Desdemona that jealously is a monster that eats away at a person. Act 5 Scene 2 Othello: By Othello distancing himself and creating almost two identities Shakespeare heightens the tragic downfall of the person that Othello once was and who he became as a result of his jealousy. . lago has neither the desire nor the ability to love anything or anybody. Act 5 Scene 1 Iago: Although often Iago is labels as a “motiveless villain” this quote highlights his jealousy as one of the sources and roots to the tragedy he is creating, emphasizing the destructive nature of jealousy as a whole. But the therapy Iago practices will bring his listener neither comfort nor the assurance of salvation, but instead the assurance of torment, indeed torment itself.". Until the last scene, Emilia does not associate her better half with plotting against Othello. Emilia also shows courage and self-assurance in chastising Othello for doubting his wife’s virtue, scolding him “If you think other / Remove your thought” (4.2.). ‘I know thou didst not,’ she says to Iago in the last scene in the wake of finding Othello had killed her special lady, ‘…thou’rt not such a miscreant‘ (Act 5, Scene 2). Act 5 Scene 2 Othello and Emilia: Through their interaction after Emilia’s discovery of Desdemona’s death, Shakespeare uses antithesis to emphasize the falsehood of Othello’s lies. … #2: “But I will wear my heart upon my sleeve For daws to peck at: I am not what I am.” #3: “Our bodies are our gardens, to the which our wills are gardeners.” Nevertheless Shakespeare keeps this character ambiguous, the fact that Othello is unable to stab him leaves the audience wondering the nature of Iago’s villainy and evil linking him closer to the devil. Upon learning that the source is her husband, she cries: ‘O mistress, villainy hath made mocks with love! I peace! “That’s he that was Othello: here I am” “O cursed cursed slave! Emilia response to Iago shows her voice: Cassio (to Iago) Not to-night, good Iago. “I told him what I thought, and told no more Than what he found himself apt and true”. “what you do with ‘t” Is a quote from act 3 scene 3 page 15 where Emilia has given Iago the handkerchief that Desdemona has dropped and is asking what he intends to do with it. What wife? -Emilia -Desdemona Explication: Emilia is talking about men how they are the same (Iago, Othello) and once finished he “belches” the women, gets rid of her since no use left. The repetition of this quote is highly charged; Emilia is as reluctant as Desdemona to believe her husband is not what he seems. '” (lines 96-7). “Villainy, villainy, villainy!” “He begged me to steal it” “fool” Act 5 Scene 2 Emilia: Emilia is the guardian of Desdemona’s honor, a role Othello should have assumed. Iago can often be likened to the devil which this quote portrays him as lacking humanity. Designed by GonThemes. He is to save Desdemona from herself, not in hate but in honour; in honour, and also in love. It is an emblem of Desdemona's body that does not circulate because her body is not supposed to circulate: the regulated passage of the handkerchief is along family lines, not elsewhere. Of course, it seems that Shakespeare never wishes us to fully understand Iago’s motives. Thrown such despite and heavy terms … . Emilia expresses astonished disbelief, and Othello says, "Ay, 'twas he that told me first: / An honest man he is, and hates the slime / That sticks on filthy deeds" (5.2.147-149). When she realizes Othello has killed Desdemona, Emilia immediately lashes out at him, stating “Thou dost belie her and thou art a devil” (5.2. I’ll have the work ta’en out And give ‘t Iago. In Othello, there are certain relationships that Shakespeare establishes which turn out to have major repercussions on the main action of the play. "It is thought abroad that 'twixt my sheets. We are aware that only one of them is sincere in this warning. Iago’s short lines sound like threats: ‘Speak within doors’ (IV.2.146) and ‘You are a fool, go to’ (IV.2.150). “angel” and “devil””water” and “fire””blacker devil” and “heavenly true”. Act 5 Scene 2 Desdemona: from a contemporary audiences’ perspective, in reality Desdemona’s love can be portrayed as sins and thus her downfall. English II Honors: Othello Act 5 Study Guide, “If Cassio do remain he hath a daily beauty in his life that makes me ugly”. ", "Shakespeare had portrayed [Othello] the very opposite to a jealous man: he was noble, generous, open-hearted; unsuspicious and unsuspecting; and who, even after the exhibition of the handkerchief as evidence of his wife's guilt, bursts out in her praise. Iago is a “‘cursed slave'” “Spartan dog” and a “‘demi-devil'”. Oh no! When her husband draws his sword against her, Emilia does not shy away but instead shows a bravery that challenges her assumed reputation, and cries ”Twill out, ’twill out. In his final speech and his suicide he is able, as he was before the Senate of Venice, to express his nobility and to manifest himself rightly. I have no wife”. Iago’s public treatment of Emilia is as dismissive as the way he speaks to her in private. Emilia acts as an honest echo of her dishonest husband. (2.1.) Act 5 Scene 2 Iago: his last line can certainly seem defiant. However, it could also show Emilia coming to realization of the character that she truly believed Iago to be but had constantly been denying to herself. #2: “I am glad I have found this napkin. But she so loves the token (For he conjured her she should ever keep it) That she reserves it evermore about her To kiss and talk to. Questions the extent of Iago’s villainy and more of Othello’s own hamartia that caused his tragic downfall. EMILIA THE HEROINE (however these heroic qualities could be undermined by the actions that she previously committed though unintentional against Othello and Desdemona). Act 5 Scene 2 Othello: But does Othello remain somewhat deluded and self-dramatising, as some critics have suggested? . In Act II Scene 1, when Iago and Emilia arrive with Desdemona in Cyprus, Cassio greets Emilia with a kiss. “Oh brave Iago, honest and just That hast such a noble sense of thy friend’s wrong! Emilia. Iago to Emilia Iago stoops low enough to the point of even deceiving his own wife all in his grand scheme to get revenge against Othello. Rationality on Marriage His death tally includes Roderigo, Desdemona, Emilia, Othello, and ultimately himself; that is five lives ruined with four f those totally ended by one man, and all for no discernible reason. This was her first remembrance from the Moor. Learn vocabulary, terms, and more with flashcards, games, and other study tools. Emilia’s castigation of Othello reminds us how far the noble Moor has fallen and the cruelty of her words might perhaps represent some kind of poetic justice. Emilia is loyal to Desdemona, but she is loyal to Iago. But then if I were you, I would not be me, and if I were not … Because here's the thing: Emilia is actually a total sweetie. This is due to Iago’s manipulation. Quotes. That is his motive. Emilia Analysis . In response, Emilia is stabbed from behind by her cowardly and villainous husband thus perhaps suggesting that the consequence of truth is death. Act 5 Scene 1 Othello: The dramatic irony and the height of which Othello has fallen is extremely evident here. Although everyone, including Othello, believes that Iago is a loyal and devoted friend, Iago understands the strategic advantage that false friendship gives him. “O, thou Othello, that wert once so good”. “Villainy, villainy, villainy!” “He begged me to steal it” “fool”. Act 5 Scene 2: The characters finally come to the realization of what Iago truly is however it has all come too late to stop this tragedy from ensuing. She's just trapped in a marriage to possibly the most malevolent Shakespearean villain ever. Act 5 Scene 2 Iago: Even though this quote does once again highlight Iago’s villainy, it does emphasize the fact that Othello in reality really did concoct his own downfall. (report of a lecture), "The Othello who enters the bed-chamber with the words, 'It is the cause, it is the cause, my soul', is not the man of the Fourth Act. In Shakespeare slander is one of the worst of evils; it is a vice that I do not recall ever being excused. Quotes to show Iago believes Othello slept with his wife. Once Emilia hands over the handkerchief to Iago, the plot against Othello accelerates. Othello is a mighty war general who should not be taught how to slay and kill. Act 5 scene 2 Desdemona: though this quote prove to create even more pathos from the audience through Desdemona’s undying love that she continues to feel for Othello highlighting her devotion towards him, it could also convey many character tragic flaws that Desdemona truly has. Alas, Iago, my lord hath so bewhored her. Only now in death does he realize that Iago has taken everything from Roderigo, his money, his time, his effort, and eventually his life for his own gain. None of them realize their situation. He still insists that he is honourable: has his pride been his downfall? The years that Othello has spent trying to obtain reputation has ultimately been destroyed in the space of a few days. Iago says this line to Roderigo at the start of the play as he explains that he secretly hates Othello and is plotting against him. The deed he is bound to do is not murder, but a sacrifice. Almost too unbelievable. When Othello demands an explanation, Iago is silent. ", "The early modern affiliation between Reformed pastor and sinner clearly foretells the modern relationship of analyst and patient, an association carefully reproduced in Iago's treatment of Othello. He was a gallant Moor, of royal blood . This is an example of women showing obedience to the men ). “This is the night that either makes or fordoes me quite”. “‘Tis not a year or two shows us a man.They are but stomachs, and we all but food;They eat us … It is completed by a yelp of pain, “‘My wife, my wife, what wife? Emilia questions the Moor of the source of this deceit and dishonesty. “Demand me nothing. 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